通过3d扫描获得的身体轮廓，如散碎古典雕塑，它们皆试图记录或呈现最理想的人体状态，但却因捕捉时的bug支离破碎。这些肢体的碎块如今成为菌丝生长的基底，菌丝穿透基料的空隙相互连接，绵密的菌丝体逐渐构建了肢体的轮廓。而这并不是生命生长的终点，肢体内的菌丝逐渐凝聚成菇芽，在表层继续发育。像触须般的菇芽不断涌出，将确定的人体造型逐渐变为了不确定、不可控的、不断变化的形态。

   这种穿透、变化的状态，如AI生成关于人体图像的过程一般。抓取素材的躁点相互穿透融合，组合成一幅幅混杂肢体的画面，不断变化，无法确定，如菇芽的生长。缓慢变化的AI生成画面与更长时间维度生长着的菌丝，都在叙述着一个流动的身体——一个无法凝固最佳瞬间，一个不断与她者穿透交融的“身体”。

The body contours obtained through 3d scanning, like scattered classical sculptures, they all try to record or present the most ideal human body state, but are fragmented by bugs in the capture. These fragments of limbs now become the substrate of mycelium, which penetrates through the gaps of the substrate to interconnect, and the dense mycelium gradually builds the outline of the limbs. This is not the end of the growth, the mycelium inside the limb gradually develops into mushroom buds, which continue to grow on the surface of the body. The tentacle-like mushroom buds continue to emerge, gradually changing the definite human body shape into an indefinite, uncontrollable and ever-changing form.

This state of penetration and change is like the process of AI generating images about the human body. The manic points of the captured material penetrate and fuse with each other, combining into a picture of a mixed human body, constantly changing and indefinable, like the growth of mushroom buds. The slowly changing AI images and the even more slowly growing mycelium are narrating a fluid body - a "body" that cannot be frozen in the best moment, a "body" that constantly penetrates and merges with others.